导演：
主演：
上映：
未知
更新：
2024-09-22 14:50:54，最后更新于
9月前
备注：
HD中字
剧情：
Somewhere in the remote region, the war ends. In the midst of ruined cities and houses in the streets, in rural hamlets, everywhere where people still live, are children who have lost their homes and parents. Abandoned, hungry, and in rags, defenseless and humiliated, they wander through the world. Hunger drives them. Little streams of orphans merge into a river which rushes forward and submerges everything in its path. The children do not know any feeling; they know only the world of their enemies. They fight, steal, struggle for a mouthful of food, and violence is merely a means to get it. A gang led by Cahoun finds a refuge in an abandoned castle and encounters an old composer who has voluntarily retired into solitude from a world of hatred, treason, and crime. How can they find a common ground, how can they become mutual friends? The castle becomes their hiding place but possibly it will also be their first home which they may organize and must defend. But even for this, the price will be very high. To this simple story, the journalist, writer, poet, scriptwriter, movie director, and film theoretician Béla Balázs applied many years of experience. He and the director Géza Radványi created a work which opened a new postwar chapter in Hungarian film. Surprisingly, this film has not lost any of its impact over the years, especially on a profound philosophical level. That is to say, it is not merely a movie about war; it is not important in what location and in what period of time it takes place. It is a story outside of time about the joyless fate of children who pay dearly for the cruel war games of adults. At the time it was premiered, the movie was enthusiastically received by the critics. The main roles were taken by streetwise boys of a children's group who created their roles improvisationally in close contact with a few professional actors, and in the children's acting their own fresh experience of war's turmoil appears to be reflected. At the same time, their performance fits admirably into the mosaic of a very complex movie language. Balázs's influence revealed itself, above all, in the introductory sequences: an air raid on an amusement park, seen in a montage of dramatic situations evoking the last spasms of war, where, undoubtedly, we discern the influence of classical Soviet cinematography. Shooting, the boy's escape, the locomotive's wheels, the shadows of soldiers with submachine guns, the sound of a whistle—the images are linked together in abrupt sequences in which varying shots and expressive sharp sounds are emphasized. A perfectly planned screenplay avoided all elements of sentimentality, time-worn stereotypes of wronged children, romanticism and cheap simplification. The authors succeeded in bridging the perilous dramatic abyss of the metamorphosis of a children's community. Their telling of the story (the scene of pillaging, the assault on the castle, etc) independently introduced some neorealist elements which, at that time, were being propagated in Italy by De Sica, Rossellini, and other film artists. The rebukes of contemporary critics, who called attention to "formalism for its own sake" have been forgotten. The masterly art of cameraman Barnabás Hegyi gives vitality to the poetic images. His angle shots of the children, his composition of scenes in the castle interior, are a living document of the times, and underline the atmosphere and the characters of the protagonists. The success of the picture was also enhanced by the musical art of composer Dénes Buday who, in tense situations, inserted the theme of the Marseilaise into the movie's structure, as a motive of community unification, as an expression of friendship and the possibility of understanding. Valahol Europaban is the first significant postwar Hungarian film. It originated in a relaxed atmosphere, replete with joy and euphoria, and it includes these elements in order to demonstrate the strength of humanism, tolerance, and friendship. It represents a general condemnation of war anywhere in the world, in any form.
收起
相关影片
2025
国产片
印度
这是一部2025年上映的印度印地语历史法庭剧情片，由卡兰·辛格·蒂亚吉执导。 作为2019年电影《凯萨里》的精神续集，本片改编自拉古·帕拉特与普什帕·帕拉特合著的图书《震撼（英）帝国的案件》，故
HD中字
2025
国产片
法国
HD中字
2022
国产片
美国
一位渴望调查的大学教授被一些老朋友邀请去调查他们古董书店的一系列闹鬼事件。
HD中字
2025
国产片
美国
HD中字
2024
国产片
英国
Joana Santos Inês Vaz Piotr Sikora 尼尔·雷珀 Jake McGarry Itxaso Moreno Leah MacRae Billy Mack Deborah Arnott 保罗·唐奈利 Ola Forman Ross Ian-Martin Daniel McGuire Liam Nelson Helen Robinson Robert Rutonic
《坠落》讲述了一位在苏格兰一个庞大的物流中心工作的葡萄牙仓库搬运工奥罗拉的故事。她被困在工作场所的狭小空间和公寓的孤独之中，试图抵抗孤独、疏离以及随之而来的闲聊，这些都开始威胁到她的自我认知。在这
HD中字
2025
国产片
大陆
HD中字
2025
国产片
泰国
Panor是个年轻的处女生活在一个偏远的村庄中，只因为在她出生的那天村里有人举行了一场黑魔法的仪式，导致所有人都瞧不起她，认为她是不祥之兆，任何靠近她的人都会遭受诅咒。
HD中字
2023
国产片
法国
HD中字
2025
国产片
美国
Two putt-putt employees and best friends must face off against a demonic cult that has not only ki
HD中字
2024
国产片
日本
HD中字
2024
国产片
韩国
HD中字
2023
国产片
美国
井浦新 罗宾·薇格特 国村隼 丝科特·史密斯 藤谷文子 斯蒂芬妮·埃尔南德斯 戈雅·罗伯斯 邓肯·维扎因 路易斯·乔斯·洛佩斯 加布里埃尔·克拉克 斯科特·麦考利 杰夫·梅德利 Marisilda Garcia 珍娜·西拉利 George De Vries 岩松了 Gerald Penn Cara Wilder Rob Story Zac Thomas
A Japanese salaryman goes on an unwitting journey of self-discovery when he takes a business trip
HD中字
2025
国产片
大陆
HD国语
2024
国产片
西班牙
迭戈·佩雷蒂 何塞·科罗纳多 塞西莉亚·苏亚雷斯 乔治娜·阿莫罗斯 Esteban G. Ballesteros Domingo Cruz Leticia Torres Amparo Santolino Daniel Braceli
Leo is a successful author of mystery novels, who writes under a pseudonym. While penning his next
HD中字
正在热播
更多
2025
国产剧
大陆
独家推荐
更新至第04集
2025
国产剧
大陆
独家推荐
更新至第04集
2025
冒险片
大陆
独家推荐
HD国语
2025
国产剧
大陆
独家推荐
更新至第04集
